Each of the walkers the alien picks up has a place to be,
and yet none of them put up a strong resistance to her awkward attempts to put them
in the car. Even her third victim, a deformed young adult, doesn’t hesitate to
follow the alien back to her “house”. The film’s reliance on visual
storytelling leaves the implications vague, but they’re there for more
perceptive viewers to pick up on. These men are clearly excited about the
prospect of sex with a random woman, possibly thinking more about the potential
sex than the actual destination-which is why they enter her vehicle for the
shortest of trips. Maybe this says something about objectification-many say it
does, and the pieces are definitely there.
A more telling part would be near the end, when a man in the
woods attempts to rape the alien, and instead tears off part of her skin.
Seeing the alien’s true form, he’s no longer attracted and instead horrified.
The alien at this point seems scared and confused-perhaps about the
implications of her humanity, as some have said, though this is one of many
obtuse things in the film. Unfortunately, now that she’s no longer sex object
Scarlett Johansson, and instead something overworldly, he’s immediately afraid.
He fears the other, and thus pours gas on her and immolates her. In one of the
final scenes of the film, we see the alien dying just for existing.
At this point, she has ceased preying on random men.
Instead, it’s come to a point where men are preying on her, as she has sex with
a random man she meets on the train, and as said suffers an attempted rape.
What might have driven this change of heart was a scene previous, where she
meets the aforementioned disfigured man and chooses to take pity and allow him
to run back to town. This sort of connection to the world she’s preying on may
have caused her crisis of faith.
I’m not entirely sure what this says, but there’s definitely
something to be read from this. Others have done much more digging than I have,
and all I can say is that I’m glad I saw the film.
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